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International dancehall superstar Beenie Man wanted an album with international muscle. Fourteen months, more than US$400,000 and a constellation of celebrity collaborators later, the “King of the Dancehall” is sitting on top of the US iTunes All Genres chart.
His latest album, Eminence, has occupied the coveted No. 1 position for three consecutive days, holding off formidable competition from The Game’s The Documentary III and Sam Smith’s Hazel Eyes.
For Beenie Man, the achievement feels less like a gentle climb to the summit and more like a spectacular collision.
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