A new chapter has begun for the National Chorale of Jamaica (NCOJ), which, for over 53 years, remains one of the country’s most respected and enduring choral ensembles. Distinguished bass-baritone soloist, educator, and choral conductor Michael Sutherland has been appointed musical director, taking over from former director and founding member of the NCOJ, Winston Ewart.Ewart, who has conducted many major works including The Messiah – Handel, Hiawatha’s Wedding Feast – Samuel Coleridge-Taylor, The Christmas Cantata - Bach, and Elijah by Mendelssohn, stated that, for the last couple of years, he has seen Sutherland’s potential as his successor and was pleased “to hand over the baton to Michael, wishing him many successful years as the new director”. The appointment took effect on March 1.For those familiar with Sutherland’s career, it would be difficult to determine whether his first love is music or education. An educator by both passion and profession, he has spent more than three decades shaping young minds while simultaneously building an outstanding reputation as a choral conductor, vocal coach, and performer. His commitment to teaching naturally extends into his artistic pursuits, where he has dedicated himself to nurturing singers of all ages and advancing the development of choral music in Jamaica.Sutherland has served at institutions including Crescent Primary School in Spanish Town, St Catherine; Westwood High School in Trelawny; The Queen’s School in St Andrew; and currently as principal of Central Branch All-Age School in Kingston. Generations of students have benefited from his mentorship, many of whom have gone on to distinguish themselves in choral and musical performance.His musical training began under the guidance of respected tutors, including acclaimed soprano Marie McMarrow. He later studied voice at the prestigious Stetson University School of Music in Florida.Upon assuming his new role, Sutherland reflected on the significance of the appointment:“Stepping into the role of musical director of the National Chorale of Jamaica is both a profound honour and a humbling responsibility. I want first to acknowledge Winston Ewart, whose years of dedicated stewardship laid the foundation upon which we now build. His passion for choral excellence, his nurturing of young voices, and his unwavering commitment to preserving Jamaica’s rich choral tradition have left an indelible mark on this organisation, and on me personally.”Looking ahead, Sutherland shared his vision for the chorale:“My vision is simple yet ambitious. I wish to continue elevating the standard of choral artistry in Jamaica while opening doors for the next generation of singers.”He added: “The National Chorale of Jamaica has long been a beacon of artistic excellence and cultural expression. I look forward to working with our talented members, supporters, and partners as we continue to celebrate our heritage while embracing new opportunities for growth and innovation.”Sutherland’s association with the National Chorale of Jamaica spans many years singing with the chorale in their presentations of major as well as smaller works. Highlights of his association include his portrayal of Crown in Gershwin’s Porgy and Bess as well as “ Jesus” in Dubois’ Seven Last Words.In welcoming Sutherland to the position, Chairman Christopher Samuda noted that he brings to the National Chorale “both artistic integrity and a rich musical vision that will resonate across generations while celebrating the enduring excellence of classical music”.A mentee of the late Dr Olive Lewin, Sutherland remains deeply committed to nurturing emerging talent. His personal mantra, one he readily shares with young singers, is: “Practise until you cannot get it wrong.”Offering further encouragement to aspiring vocalists, he said: “Excellence is not an accident; it is the result of discipline, practice, and a willingness to be taught. The chorale will always be a place where that kind of dedication is nurtured and celebrated. Together, I believe we can write an exciting new chapter for choral music in Jamaica.”