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Carnival’s commercial engine is facing a structural reckoning. After 77 years in operation, Samaroo’s is openly questioning whether it can continue beyond 2027 unless there is decisive policy intervention to rebalance what its managing director, Steve Samaroo, describes as a lopsided marketplace tilted towards imported, ready-made costumes.“This was our worst year in the business because our sales declined significantly for different reasons,” Samaroo said, listing the importation of finished costumes from China, foreign exchange constraints, and rising clearance costs among the primary pressures.Samaroo’s ability to grow since COVID-19 has been stifled, by the larger, more resourceful bands importing completed costumes rather than sourcing fabrics, wire, trims, and accessories locally. That model bypasses domestic suppliers and compresses margins across the traditional value chain.“The costume prices make it very challenging and raise the question of whether we should continue as a supplier,” he said. “If you’re providing a costume ready-made from China, you don’t need the local labour and raw materials input into a costume here.”The company once operated five locations, it is now down to two—its main branch at El Socorro and a San Fernando outlet—after closing three since the pandemic. He maintained that he is fully aware of the landed prices paid for those imported costumes and believes the existing 20 per cent duty is insufficient. “The resulting 20 per cent duty is minimal and should be at least 200 per cent,” he said, proposing a sliding scale tied to local content. “So the question is what percentage of local input should be in the costumes? No local input, then 500 per cent duty.”For Samaroo, the issue is not only commercial but cultural and economic. He frames Carnival as an integrated ecosystem once powered by designers, craftsmen, wire benders, decorators, and seamstresses who collectively generated employment and exported creativity. He points to legacy bands—such as Poison, Barbarosa, Harts, Trini Revellers, Legacy/Legends, D Midas, Masquerde—and bandleaders like Raoul Garib, Wayne Berkeley, Peter Minshall, Brian Mac Farlane, Peter Samuel, Neville Hinds, Owen Hinds, Jaggessars, Kallicharans, Zainool Mohammed as architects who helped put T&T on the world stage.“We saw a lot of creativity, which we rarely see now in the larger bands but only in the Kings and Queens, individuals, and the traditional mas,” he said.Tariffs, local content and policy directionSamaroo is calling for an immediate consultation among suppliers, band leaders, the Trinidad and Tobago Carnival Bands Association (TTCBA) and the Ministry of Trade, Investment and Tourism to determine the future architecture of the industry. In his view, Carnival requires new conditions to stimulate domestic production before the supply base collapses.
“Where is our Government in all this?” he asked. “They need to revisit Carnival and start implementing new conditions to compete and stimulate the local industry before we lose it all and just make Carnival one big party as it has become now.”
Among his proposals are higher duties on fully assembled imported costumes, duty-free treatment for bona fide Carnival materials and a formal local content framework that differentiates tariffs based on the percentage of domestic input. If a costume is largely constructed abroad with negligible local value added, he believes the duty should be punitive. If it is substantially produced locally, it should be eligible for relief.He argued that without such intervention, Samaroo’s may have to consider closing its doors in 2027. The company is already evaluating consolidation to reduce overheads. Between 60 and 75 jobs could be at risk if further downsizing occurs.
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